04th Theatralisation everyday life: BETWEEN THE "TERROR" POP CULTURE AND PUBLIC PARTICIPATION (abstract) | INTRODUCTION TO THE STUDY PERFORMANCE
My thesis on "terror" of popular culture is based on the theory of "the end of art" Arthur Danto and art available to everyone (Warhol), and Debord "society of the spectacle", in the form of criticism of contemporary pop culture and / or the spectacle that pervades all domains of art and scientific disciplines, popularušiću stop and shop locations them, but at the same time simplifikujući them and subjecting stop and shop locations them maine stream of market logic. To some extent, the spiritual father is Andy Warhol, whose flirting with popular culture and the world of show business, mixed from the concepts of popular culture, spectacle and art, while the texts of Arthur Danto ("Pop Art and Past Futures") and Fredric stop and shop locations Jameson ( Postmodernism stop and shop locations or the Cultural Logic of Late Capitalism ") can be recognized" development path "of popular culture, from the moment when, in the sixties, pop art recognized as a criticism of high art and culture, to contemporary pop culture, which can be defined as an aesthetic populism and mass culture. While pop art "transformed" (or Dantovskim vocabulary words transfigurisao") elements of popular culture to high art, the point in postomodernizmu, according to Jameson, there is a fascination with '' degraded 'landscape of schlock and kitsch, culture TV series, advertising and motel, a new show and Hollywood film category B, the so-called paraliterature with its pocket-flight categories and Gothic romance, the popular biography, crime, fantasy and science fiction stop and shop locations novels. Basically it is a "material" that this work simply no longer stop and shop locations 'quote', as they did for example. stop and shop locations Joyce and Mahler, but include them in their own substance, for example. Dan Brown. In the humanities to the various sites, stop and shop locations such as Wikipedia, www.rescogitam.it, www.theory.org.uk that offer quick and superficial, often wrongly, knowledge. stop and shop locations At the same time, culture is increasingly approaching the hypertextual structure of the Internet, where a piece of information, although simplified, is never complete, and leads to the next, incomplete, information.
In this new superficiality - which Jameson stands out as one of the fundamental characteristics of postmodernism - striking is the absence of political dimensions. This is especially reflected in political campaigns in which the issues of key importance to the life of citizens, reduced to propaganda slogans. At the same time, museums are converted to department stores, universities and evening schools for quickly obtaining stop and shop locations degrees. Also, in recent years has seen an exponential development of various festivals of science, philosophy, mathematics and literature, which within a few days, offering lectures, films, debates, etc., In short quick "scrappy" knowledge stop and shop locations and its rapid absorption. Culture begins to look like a huge department store, where there is everything we need and what we dream. Terror pop culture stop and shop locations no longer assumes no subversive, but the seduction of products that are offered for sale.
As one of the characteristics of postmodernism, Jameson stop and shop locations also stands stop and shop locations nostalgia, that passion for taking different styles of the past, which is most evident in the post-modern architectural eclecticism, films that are a reference to the classic film productions, as well as the popular literature, and music. In accordance with the change of paradigm, and changed the position of popular actors and musicians - while previously awarded a specific attitude to life outside the world of the spectacle, the stars of today's pop culture are mainly reduced to impersonal functions, but often refer to their predecessors. According to Deborah, the media and other stars of pop culture appearing in the form of different stop and shop locations types of personalities, have the same attitude towards the consumption of which derive the same pleasure. Singer Madonna or Lady Gaga may be taken as examples stop and shop locations of media stars that serve as an object of identification, as well as representatives of the spectacle, so as opposite of an individual, being at the same time the enemies stop and shop locations of their own and others' individuality.
Given that in studies of performance, one of the main discourse theatralisation public life, and the constant debate as to, "even though the whole world is not a stage, it is difficult to identify the moments when it is not ..." (Irvin Gofman), I'll try that, the examples two different historical figures, Louis XIV, and Silvio Berlusconi, determine discrepancy that exists between public and private persons, or to be in the public discourse builds one's identity, appearance and career, and how it gradually loses the boundaries between public and private, stop and shop locations real and fictitious identity ; as history and media construct and interpret this identity, as well as the very person identifies with his role.
In English there is a very accurate term to describe the scenic aspect of public speaking and this is the "theatricality" which can be translated as theatricality, but as pozorišnost or the scenic, but carries many meanings, from a public appearance by a certain attitude, of personal style to the entire system of signs
My thesis on "terror" of popular culture is based on the theory of "the end of art" Arthur Danto and art available to everyone (Warhol), and Debord "society of the spectacle", in the form of criticism of contemporary pop culture and / or the spectacle that pervades all domains of art and scientific disciplines, popularušiću stop and shop locations them, but at the same time simplifikujući them and subjecting stop and shop locations them maine stream of market logic. To some extent, the spiritual father is Andy Warhol, whose flirting with popular culture and the world of show business, mixed from the concepts of popular culture, spectacle and art, while the texts of Arthur Danto ("Pop Art and Past Futures") and Fredric stop and shop locations Jameson ( Postmodernism stop and shop locations or the Cultural Logic of Late Capitalism ") can be recognized" development path "of popular culture, from the moment when, in the sixties, pop art recognized as a criticism of high art and culture, to contemporary pop culture, which can be defined as an aesthetic populism and mass culture. While pop art "transformed" (or Dantovskim vocabulary words transfigurisao") elements of popular culture to high art, the point in postomodernizmu, according to Jameson, there is a fascination with '' degraded 'landscape of schlock and kitsch, culture TV series, advertising and motel, a new show and Hollywood film category B, the so-called paraliterature with its pocket-flight categories and Gothic romance, the popular biography, crime, fantasy and science fiction stop and shop locations novels. Basically it is a "material" that this work simply no longer stop and shop locations 'quote', as they did for example. stop and shop locations Joyce and Mahler, but include them in their own substance, for example. Dan Brown. In the humanities to the various sites, stop and shop locations such as Wikipedia, www.rescogitam.it, www.theory.org.uk that offer quick and superficial, often wrongly, knowledge. stop and shop locations At the same time, culture is increasingly approaching the hypertextual structure of the Internet, where a piece of information, although simplified, is never complete, and leads to the next, incomplete, information.
In this new superficiality - which Jameson stands out as one of the fundamental characteristics of postmodernism - striking is the absence of political dimensions. This is especially reflected in political campaigns in which the issues of key importance to the life of citizens, reduced to propaganda slogans. At the same time, museums are converted to department stores, universities and evening schools for quickly obtaining stop and shop locations degrees. Also, in recent years has seen an exponential development of various festivals of science, philosophy, mathematics and literature, which within a few days, offering lectures, films, debates, etc., In short quick "scrappy" knowledge stop and shop locations and its rapid absorption. Culture begins to look like a huge department store, where there is everything we need and what we dream. Terror pop culture stop and shop locations no longer assumes no subversive, but the seduction of products that are offered for sale.
As one of the characteristics of postmodernism, Jameson stop and shop locations also stands stop and shop locations nostalgia, that passion for taking different styles of the past, which is most evident in the post-modern architectural eclecticism, films that are a reference to the classic film productions, as well as the popular literature, and music. In accordance with the change of paradigm, and changed the position of popular actors and musicians - while previously awarded a specific attitude to life outside the world of the spectacle, the stars of today's pop culture are mainly reduced to impersonal functions, but often refer to their predecessors. According to Deborah, the media and other stars of pop culture appearing in the form of different stop and shop locations types of personalities, have the same attitude towards the consumption of which derive the same pleasure. Singer Madonna or Lady Gaga may be taken as examples stop and shop locations of media stars that serve as an object of identification, as well as representatives of the spectacle, so as opposite of an individual, being at the same time the enemies stop and shop locations of their own and others' individuality.
Given that in studies of performance, one of the main discourse theatralisation public life, and the constant debate as to, "even though the whole world is not a stage, it is difficult to identify the moments when it is not ..." (Irvin Gofman), I'll try that, the examples two different historical figures, Louis XIV, and Silvio Berlusconi, determine discrepancy that exists between public and private persons, or to be in the public discourse builds one's identity, appearance and career, and how it gradually loses the boundaries between public and private, stop and shop locations real and fictitious identity ; as history and media construct and interpret this identity, as well as the very person identifies with his role.
In English there is a very accurate term to describe the scenic aspect of public speaking and this is the "theatricality" which can be translated as theatricality, but as pozorišnost or the scenic, but carries many meanings, from a public appearance by a certain attitude, of personal style to the entire system of signs
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